Presentation 2000/2/18
Analysis of Noh and composition of Noh-Opera using a sinusoidal model
Ken Ito, Ken-Ichi Sakakibara, Ryoko Aoki, Naotoshi Osaka,
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Abstract(in English) The concepts of pitch and timbre, which have their origin in western classical music notation system, deeply ruled the music thinking of composition, listening and analysis. In this article we propose a new treatment of musical voice based on a sinusoidal model. Noh music theater, Japanese traditional opera, have proper charactaristics in its singing technique and notation system to be analysed with a sinusoidal model. We also report research = production "Quand-Temps" Noh-Opera after the concepts of M. Duchamp and J. Cage, which is a collaboration with Hideo KANZE, prominent Noh actor in KANZE style.
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Paper # SP99-159
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Conference Date 2000/2/18(1days)
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Registration To Speech (SP)
Language JPN
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Title (in English) Analysis of Noh and composition of Noh-Opera using a sinusoidal model
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1st Author's Name Ken Ito
1st Author's Affiliation Keio University()
2nd Author's Name Ken-Ichi Sakakibara
2nd Author's Affiliation NTT Communication Science Laboratories
3rd Author's Name Ryoko Aoki
3rd Author's Affiliation Tokyo National University of Fine Arts and Music
4th Author's Name Naotoshi Osaka
4th Author's Affiliation NTT Communication Science Laboratories
Date 2000/2/18
Paper # SP99-159
Volume (vol) vol.99
Number (no) 627
Page pp.pp.-
#Pages 4
Date of Issue