Presentation | 2021-05-25 Relationship between impressions of paintings and gaze pattern Yuka Nojo, Tomoyuki Maekawa, Kazuhiro Ueda, |
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PDF Download Page | PDF download Page Link |
Abstract(in Japanese) | (See Japanese page) |
Abstract(in English) | Previous studies claim that visual art, which is highly evaluated, uses a compositional trick which guides the viewer's gaze to round widely over the work. As a first step toward confirming the truth of this hypothetical claim, we examined relationship between impressions of ukiyo-e and gaze pattern suggested by the above claim. In particular, we measured viewers' gaze while looking at ukiyo-e and evaluated their impressions towards ukiyo-e. In order to examine the relationship independent of painters and painting styles, we selected Katsushika Hokusai's ''Thirty-six Views of Mount Fuji'', which is known for its "cartoon-like and illustrative style" and Utagawa Hiroshige's "the Fifty-three Stages on the Tokaido", which is known for its "realistic style", as experimental stimuli. The results showed that there was a significant difference between gaze-movement area of highly rated paintings and that of poorly rated paintings. |
Keyword(in Japanese) | (See Japanese page) |
Keyword(in English) | gaze pattern / impression rating / Thirty-six Views of Mount Fuji / the Fifty-three Stages on the Tokaido |
Paper # | HCS2021-13,HIP2021-13 |
Date of Issue | 2021-05-17 (HCS, HIP) |
Conference Information | |
Committee | HCS / HIP / HI-SIGCE |
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Conference Date | 2021/5/24(2days) |
Place (in Japanese) | (See Japanese page) |
Place (in English) | Online |
Topics (in Japanese) | (See Japanese page) |
Topics (in English) | Communication Enhancing, Human Communications, and Human Information Processing |
Chair | Tomoo Inoue(Univ. of Tsukuba) / Shuichi Sakamoto(Tohoku Univ.) |
Vice Chair | Yugo Hayashi(Ritsumeikan Univ.) / Tomoko Kanda(Osaka Inst. of Tech.) / Yuji Wada(Ritsumeikan Univ.) / Sachiko Kiyokawa(U. Tokyo) |
Secretary | Yugo Hayashi(Kanazawa Inst. of Tech.) / Tomoko Kanda(KDDI Research) / Yuji Wada(Osaka Univ. of Economic) / Sachiko Kiyokawa(NICT) / (NTT) |
Assistant | Kazunori Terada(Gifu Univ.) / Atsushi Kimura(Nihon Univ.) / HUANG HUNGHSUAN(Univ. of Fukuchiyama) / Shigeyoshi Iizuka(Kanagawa Univ.) / Masashi Komori(Osaka Electro-Comm. Univ.) / Kazuki Takashima(Tohoku Univ.) / Hidetoshi Kanaya(Ritsumeikan Univ.) / Yuki Yamada(Kyushu Univ.) |
Paper Information | |
Registration To | Technical Committee on Human Communication Science / Technical Committee on Human Information Processing / Special Interest Group on Communication Enhancement |
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Language | JPN |
Title (in Japanese) | (See Japanese page) |
Sub Title (in Japanese) | (See Japanese page) |
Title (in English) | Relationship between impressions of paintings and gaze pattern |
Sub Title (in English) | In the case of Katsushika Hokusai's "Thirty-six Views of Mount Fuji" and Utagawa Hiroshige's "the Fifty-three Stages on the Tokaido" |
Keyword(1) | gaze pattern |
Keyword(2) | impression rating |
Keyword(3) | Thirty-six Views of Mount Fuji |
Keyword(4) | the Fifty-three Stages on the Tokaido |
1st Author's Name | Yuka Nojo |
1st Author's Affiliation | The University of Tokyo(UTokyo) |
2nd Author's Name | Tomoyuki Maekawa |
2nd Author's Affiliation | The University of Tokyo(UTokyo) |
3rd Author's Name | Kazuhiro Ueda |
3rd Author's Affiliation | The University of Tokyo(UTokyo) |
Date | 2021-05-25 |
Paper # | HCS2021-13,HIP2021-13 |
Volume (vol) | vol.121 |
Number (no) | HCS-37,HIP-38 |
Page | pp.pp.65-69(HCS), pp.65-69(HIP), |
#Pages | 5 |
Date of Issue | 2021-05-17 (HCS, HIP) |