Committee |
Date Time |
Place |
Paper Title / Authors |
Abstract |
Paper # |
HIP |
2014-03-18 13:50 |
Tokyo |
Tokyo Univ. |
Fundamental Study of a Music Generation System Based on Gaze Behaviors of Viewers of Abstract Paintings
-- Effects of Proposed System on the Amount of Ideas of Viewers -- Tatsuya Ogusu, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba University of Commerce), Shunichi Yonemura (Shibaura Institute of Technology) HIP2013-85 |
In recent years, by utilizing computers' digital technologies as means for representations, representations based on mer... [more] |
HIP2013-85 pp.35-40 |
PRMU |
2011-02-18 13:30 |
Saitama |
|
A Study of Human Motion Recognition Based on Tensor Decomposition using a Multiple Viewpoint Image Sequence Takayuki Hori, Jun Ohya (Waseda Univ.), Jun Kurumisawa (CUC) PRMU2010-230 |
We propose a Tensor Decomposition based algorithm that recognizes the observed action performed by an unknown person and... [more] |
PRMU2010-230 pp.141-146 |
PRMU |
2008-12-18 14:20 |
Kumamoto |
Kumamoto Univ. |
Study of Gait Identification Based on a Tensor Decomposition Approach Takayuki Hori, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba Univ. of Com.) PRMU2008-162 |
This paper proposes a Tensor Decomposition Based method for personal identification from silhouette image on time sequen... [more] |
PRMU2008-162 pp.87-92 |
IE, MVE |
2008-07-15 09:55 |
Nagano |
Shinshu University |
Study of Recognizing Human Actions Similar to Each Other from a Video Sequence by a Tensor Decomposition Based Approach Takayuki Hori, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba Univ. of Commerce) IE2008-40 MVE2008-34 |
This paper proposes a Tensor Decomposition Based method that can recognize an unknown person’s action from a video seque... [more] |
IE2008-40 MVE2008-34 pp.43-48 |
IE |
2006-03-28 10:25 |
Tokyo |
Kikai-Shinko-Kaikan Bldg. |
Basic Study for Recognition method of Customer Behavior
-- Judgment of Flames which Human Existence and Recognition of Interaction Between Human and an Object Using by Color Information -- Takayuki Hori, Jun Ohya (Waseda Univ.), Jun Kurumisawa (CUC) |
I was aimed at recognition method of customer behavior at the time of the purchasing and action such as comparison in a ... [more] |
IE2005-318 pp.7-8 |
MVE |
2006-03-22 14:45 |
Tokyo |
Ohokayama Campus, Tokyo Institute of Technology |
A study on A Caricatured Portrait Generate System Which Can Categorize and Describe Facial Feature Makoto Enomoto, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba Univ. of Commerce) |
Viewing the process of drawing caricatured portrait by artist myself introspectively, and it to be a computer program ca... [more] |
MVE2005-72 pp.19-24 |
MVE |
2006-03-23 10:35 |
Tokyo |
Ohokayama Campus, Tokyo Institute of Technology |
Study of the Creation Processes-Based System for Exhibiting Artistic Works Ton Srichompoo, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba Univ.), Makoto Enomoto (Waseda Univ.) |
Art museum exhibits the artworks in term of inspiration and education. It is a relaxation place for one who loves and ap... [more] |
MVE2005-79 pp.61-66 |
IE |
2005-03-25 10:20 |
Osaka |
|
A Painterly Rendering Method based on the soft/hard edge Yusuke Shinbara, Yukio Tokunaga (SIT), Jun Kurumisawa (CUC), Jun Ohya (Waseda Univ.) |
In this paper, a method of computer graphics using the soft-edge and hard-edge techniques is proposed. These techniques ... [more] |
IE2004-223 pp.1-6 |
MVE |
2005-03-24 13:30 |
Osaka |
Osaka Univ (Toyonaka) |
Fundamental Study of Estimating the Shape of the Surface of Water by Shape from Shading and Genetic Algorithms Teppei Terashima, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba Univ. of Commerce), Yukio Tokunaga (Shibaura Institute of Technology) |
[more] |
MVE2004-69 pp.1-6 |
MVE |
2005-03-24 14:00 |
Osaka |
Osaka Univ (Toyonaka) |
Proposal of an Interactive Model for Articulated Elastic Objects Takafumi Watanabe, Jun Ohya (Waseda Univ.), Jun Kurumisawa (Chiba Univ. of Commerce), Yukio Tokunaga (Shibaura Institute of Technology) |
We propose an articulated elastic model that can have interactive manipulations, complicated shapes and animation. By ar... [more] |
MVE2004-70 pp.7-12 |