| IEICE Technical Committee Submission System Conference Paper's Information |
Online Proceedings [Sign in] Tech. Rep. Archives |
| Go Top Page | Go Previous | [Japanese] / [English] |
| Paper Abstract and Keywords | ||
| Presentation | 2021-12-23 13:00 Vermeer's left and Chirico's right -- Top-left-lighting assumption and scene-dependent effect -- Kayo Miura (Kyushu Univ.), Kun Qian (Fukuoka Univ.)  HIP2021-48 |
|
| Abstract | (in Japanese) | (See Japanese page) |
| (in English) | Because the majority of humans are right-handed, the light source in pictures is often placed in the upper left. Since the same is true for drawing, less than 80% of Western paintings are drawn with left lighting (Sun & Perona, 1998). Thus, we propose the following hypotheses: 1) Due to mere exposure effect, paintings drawn with left lighting may be preferred regardless of the scene. However, since many pictures are drawn with a left light source, the left-light paintings may give a natural impression and fit scenes of everyday life (e.g. Vermeer’s paintings), while right-lighting painting may give an unnatural impression and better suit extraordinary or surreal scenes (e.g. Chirico’s paintings). Thus 2) in paintings depicting natural scenes, left-lighting may be preferred and judged to be appropriate. In paintings depicting surreal or unusual scenes, right lighting may be preferred and judged to be more suitable. Using paintings that can be easily specified the direction of the light direction, taking into account the situation depicted in the scene and hand dominance, we examined preference for paintings and suitability of lighting direction. Results of the paired comparison supported both the hypothesis of left-lighting preference and the hypothesis of the scene-dependence. Results of the rating scale, however, (excluding left-lighting preference), were inconsistent with those of paired comparison. As paired comparison is a method in which direction of the light source is easy to be conscious and subtle difference in impression is also easy to reflect, we argued that the study showed not only the left-lighting preference but also the scene-dependent effect of suitable lighting direction. | |
| Keyword | (in Japanese) | (See Japanese page) |
| (in English) | Top-left-lighting assumption / Art / Painting / Mere exposure effect / Scene-dependent effect / Hand dominance / Paired comparison method / Rating scale method | |
| Reference Info. | IEICE Tech. Rep., vol. 121, no. 312, HIP2021-48, pp. 1-6, Dec. 2021. | |
| Paper # | HIP2021-48 | |
| Date of Issue | 2021-12-16 (HIP) | |
| ISSN | Online edition: ISSN 2432-6380 | |
| Copyright and reproduction |
All rights are reserved and no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Notwithstanding, instructors are permitted to photocopy isolated articles for noncommercial classroom use without fee. (License No.: 10GA0019/12GB0052/13GB0056/17GB0034/18GB0034) | |
| Download PDF | HIP2021-48 |
|
| Conference Information | |
| Committee | HIP |
| Conference Date | 2021-12-23 - 2021-12-24 |
| Place (in Japanese) | (See Japanese page) |
| Place (in English) | Online |
| Topics (in Japanese) | (See Japanese page) |
| Topics (in English) | |
| Paper Information | |
| Registration To | HIP |
| Conference Code | 2021-12-HIP |
| Language | Japanese |
| Title (in Japanese) | (See Japanese page) |
| Sub Title (in Japanese) | (See Japanese page) |
| Title (in English) | Vermeer's left and Chirico's right |
| Sub Title (in English) | Top-left-lighting assumption and scene-dependent effect |
| Keyword(1) | Top-left-lighting assumption |
| Keyword(2) | Art |
| Keyword(3) | Painting |
| Keyword(4) | Mere exposure effect |
| Keyword(5) | Scene-dependent effect |
| Keyword(6) | Hand dominance |
| Keyword(7) | Paired comparison method |
| Keyword(8) | Rating scale method |
| 1st Author's Name | Kayo Miura |
| 1st Author's Affiliation | Kyushu Univerity (Kyushu Univ.) |
| 2nd Author's Name | Kun Qian |
| 2nd Author's Affiliation | Fukuoka University (Fukuoka Univ.) |
| 3rd Author's Name | |
| 3rd Author's Affiliation | () |
| 4th Author's Name | |
| 4th Author's Affiliation | () |
| 5th Author's Name | |
| 5th Author's Affiliation | () |
| 6th Author's Name | |
| 6th Author's Affiliation | () |
| 7th Author's Name | |
| 7th Author's Affiliation | () |
| 8th Author's Name | |
| 8th Author's Affiliation | () |
| 9th Author's Name | |
| 9th Author's Affiliation | () |
| 10th Author's Name | |
| 10th Author's Affiliation | () |
| 11th Author's Name | |
| 11th Author's Affiliation | () |
| 12th Author's Name | |
| 12th Author's Affiliation | () |
| 13th Author's Name | |
| 13th Author's Affiliation | () |
| 14th Author's Name | |
| 14th Author's Affiliation | () |
| 15th Author's Name | |
| 15th Author's Affiliation | () |
| 16th Author's Name | |
| 16th Author's Affiliation | () |
| 17th Author's Name | |
| 17th Author's Affiliation | () |
| 18th Author's Name | |
| 18th Author's Affiliation | () |
| Speaker | Author-1 |
| Date Time | 2021-12-23 13:00:00 |
| Presentation Time | 30 minutes |
| Registration for | HIP |
| Paper # | HIP2021-48 |
| Volume (vol) | vol.121 |
| Number (no) | no.312 |
| Page | pp.1-6 |
| #Pages | 6 |
| Date of Issue | 2021-12-16 (HIP) |
[Return to Top Page]